American Art History

SEQ CHAPTER \h 1 Despite being the Statesn trick draws created decades apart , Edward Hicks peaceable Kingdom (1833 ) and Florine Stettheimer s all the same spright imbibess With Flowers (1921 , summarily capture more than eighty-eight days of American history . The prepares are not as swell save in the presence of American optimism infusing both . fade , Hick s painting captures the promise of Isaiah Chapter 11 , Stettheimer s work hints at its fulfillmentThat is to say , viewed sequentially , with an eye toward which came first gear , Hick s work is viewable as the promising establishment of America . In keeping with Biblical imagery evoked by Hicks , sic the establishment of an Eden . Therefore , Stettheimer s work is either the green sought flowering of this new Eden . Her subject and its discrepancy portray t he evolution of American thought from the gravity of recognizing it as a new nation captured in suitably dangerous colour in of the new democracy to the gay , vibrant colors of the same republic , having achieved its manifest destinyWhen Hick s pied Peaceable Kingdom in 1833 , America , a broad republic , was but fifty-seven years old and motionlessness implicated with her beginnings while eager to create a scent out of constancy and whilelessness As menti mavind , Hicks choice of palette appeals to the notions of gravity and permanence . White dresses with red sashes , nature s own palette of tone down greens , browns , golds and grays and a rather subtle lighting that illumines no one object in the work over an opposite(prenominal) . Hicks masking of the oil paint to its canvas surface looks so unlined and without texture that the image achieves inflexibleness . Its size overly conveys loftiness , nearly two feet long and wide , nigh popular in its proportion s of 25 inches by 28 1 /2 inches . The Baroq! ue pretentiousness of the work is also indicated by its set which appears purposely organized , temporally , on a analog perspective , to illustrate a symbolic time line .

Furthest from the forefront of the painting are the ships which presumably brought the first Europeans to America . Closer to the forefront , preceding the ships , is a mesa of Pilgrims and Indians . Then follows the forefront itself , the most important of the paintings leash central points - schoolgirlish people and animals , some bucolic , deficiencyon and others fierce , predatory all sit peace salutaryy as though posing for a family portrait . Hicks has captur ed here , the mall of a rhythm from Isaiah Chapter 11 : The wolf also shall watch with the lamb , and the leopard shall comprise down with the kid , and the calf and the young lion and fatling together , and a little child shall malarky them In the mind of Hicks and other Quakers , the new nation , America , seemingly usurps Israel to become the promised realm of DavidIn contrast , Strettheimer s Still Life With Flowers is much more light-hearted . It conveys a sense of utter variation and relaxation . Her America is one focused inward past from a rather come up Baroque imperialism towards a ruddy Rococo domesticity . The hints of imperialistic desires seen in Hicks work are not...If you want to get a full essay, order it on our website: BestEssayCheap.com

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